Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery. Related Paintings of Nicolae Grigorescu :. | Nude | Painter's Wife | Portrait of Metropolitan Sofronie Miclescu | Saint George | Our Lady's Death | Related Artists:
Francisco Collantes (1599-1656) was a Spanish Baroque era painter.
Collantes was born in Madrid but sought influence from Jusepe de Ribera and the Neapolitan School. He was also influenced by 16th century Venetian painters and was renowned for his landscapes and biblical scenes.
Georg Melchior Kraus (26 July 1737, Frankfurt am Main - 5 November 1806, Weimar) was a German painter. A student of Johann Heinrich Tischbein, he was also a teacher himself (his pupils included Ferdinand Jagemann), as well as an entrepreneur and friend of Goethe. He was a co-founder of the Ferstliche freie Zeichenschule Weimar with Friedrich Justin Bertuch in 1776.
IL Pensionante del saraceniactive 1610-1620s in Rome